by Richard S. GinellVolume 41 of the long-running Maybeck Recital Hall series finds Allen Farnham trying his hand at the solo piano game and scoring well in this all-revealing format. While employing many of the devices that Maybeck followers have come to know and expect -- the bop-centered foundation, the Tatum interjections, outbreaks of stride, the Bill Evans-influenced harmonies, a few classical borrowings -- Farnham uses them in a more musical, affecting way than most. Listen to the sly, elegant way in which he slips into the closing bars of