by Ned RaggettHaving established what would be the basic Trees sound two years previously, the next few albums would see the band taking a path similar to that of the Cocteau Twins, spending time refining and playing around with a set model, but rarely stepping beyond said model. A band rehashing itself or merely playing to its strengths? On the basis of Millpond, clearly much more the latter than the former. Helped in part by the additional keyboards by Mark Tibenham, providing some delicate shades and fills on such tracks as