It’s always been very weird critiquing remix albums, because generally speaking, the record maintains a certain lack of substance that the original may have contained and is therefore destined only to be replaced by a re-working in the eyes of each of the remixers. What I’m really commentating on here is that, for exceptional artists that fall under the general caliber of blokes like aus, record labels or simply a group of musicians really need to grow out of the norm that is the standard remix album. Meaning that, instead of simply dropping tracks by a few artists and calling it a day, the effort should be of a collaborative nature rather then that of a singular one, which basically seems to be the common practice nowadays.